Monday, November 17, 2008

Gibson Les Paul Studio Electric Guitar (with Case)


The Les Paul Studio enhances the solid, proven design of the world's most famous guitar with a wide choice of finishes, a sleek, no-frills look. The Les Paul Studio is the favorite of guitarists who demand traditional Les Paul performance with a modern attitude.

About the Les Paul Series
No matter where Gibson Les Paul is seen - in the hands of a star performer, silhouetted in a guitar dealer's ad, or cast in brass and incorporated into the architecture of a restaurant - it is universally recognized as the symbol of rock and roll music. From the basic no-frills guitars to elegant showpieces, the guitars of Les Paul are the standard-bearers of Gibson's excellence.

Warranty
In 1894, in a one-man shop in Kalamazoo, Michigan, Orville Gibson created a new family of guitars and mandolins that would inspire generations of craftsmen to produce some of the finest instruments the world has ever heard or seen. The Gibson Mandolin-Guitar Co., Ltd., was formed on October 10, 1902, to build instruments that carry on not only Orville's designs but also his conviction to quality.

Gibson celebrated its 100th anniversary in 1994 with the spirit of Orville still going strong. Gibson's combination of traditional craftsmanship and innovative technology has made Gibson the only company that produces industry standard models in every style of fretted instrument, from electric and acoustic guitars to mandolins, banjos, and resonator guitars.

The Gibson Gold Warranty carries on the tradition of the limited lifetime warranty introduced by the company's founders. It represents their commitment to producing the world's finest musical instruments and providing complete customer satisfaction.

Gibson Gold Warranty
Your new Gibson instrument is warranted to be free from defects in materials and workmanship for the life of the original retail purchaser, subject to the limitations contained in this warranty.

If at any time this Gibson instrument malfunctions as a result of faulty materials or workmanship, Gibson will repair the defect(s) or replace the instrument, as it deems appropriate in its sole discretion. Gibson reserves the right to use materials regularly utilized at the time of repair in the event that original materials are no longer available, If replacement of your instrument is deemed appropriate by our staff, Gibson will replace the instrument with one of the same or most similar style of a value not in excess of the original purchase price of your instrument.

This warranty covers the cost of both labor and materials on any repair deemed necessary by our Customer Service Representative for the lifetime of the original purchaser. In the unlikely event that your instrument is destroyed, lost or damaged beyond repair, while in the possession of Gibson for repair, Gibson will replace that instrument with one of the same or most similar style of a value not in excess of the original purchase price of your instrument. Any insurance covering the instrument, including but not limited to collector's value insurance, must be carried by owner at owner's expense. For more info please refer to the Gibson website.

Sunday, November 16, 2008

Rock Style


The look. Rock and roll is obsessed with it. Virtually every artist defines him or her self as much by the way they look as by the music they play. Bruce Springsteen and jeans. Elton John and glasses. Jim Morrison and black leather pants. You may not be able to judge a book by its cover, but you can pretty much judge a rock star by his clothes.

To celebrate the relationship between rock and fashion, the Rock and Roll Hall of Fame teamed up with the Metropolitan Museum of Art to create the definitive exhibition on the subject. Rock Style premiered at the Metropolitan Museum’s Costume Institute in New York City on December 6, 1999 and then opened at the Rock Hall on May 13, 2000. In the fall of 2000, Rock Style traveled to the Barbican Art Centre in London, England.

The exhibit included more than 100 original outfits from such rock legends as Elvis Presley, the Beatles, Mick Jagger, Tina Turner, David Bowie, Elton John, Madonna, Stevie Nicks, Michael Jackson, George Clinton, Janis Joplin, Jimi Hendrix, Bruce Springsteen, Lou Reed and Bono. Such contemporary artists as Bjork, Courtney Love, Tori Amos and Beck were also represented in the exhibit. Highlights of the exhibit included three of the four original Sgt. Pepper uniforms, Madonna’s wedding dress from the 1984 MTV Music Video Awards show, George Clinton’s Uncle Jam costume and Michael Jackson’s “Bad” outfit.

Friday, November 14, 2008

The Problem with the Term “Metal-core”


I wanna ask you..
What’s the difference between metalcore and hardcore? I just know that metal core have more double pedal in drum n more melody in guitar.. And hardcore have a simple music.. Is that right?

Well, hard-core is harder to define these days. Originally, in the late 70’s and early 80’s hard-core was just a short form of hard-core punk. Teens in California were disappointed about how punk had become mainstream and it didn’t embody their strife anymore. So they started their own bands that were what they thought punk should sound like. These were bands like Black Flag, Circle Jerks and of course Bad Brains. This music was defined by being fast, simple and aggressive. Bands like Bad Brains still managed to be talented and creative within that limited framework.

Today some bands still sound like that, but some people wanted to do something more with it. Bands like Underoath, Further Seems Forever and A Sky Lit Drive are great examples of what is known as “Post-Hardcore”. Where there is speed and aggression and a definitely punk sound mixed with clean vocals, more intricate melody and in general more creativity that can’t be captured within “Hard-core”.

Metal-core differs from straight Hard-core and Post-hardcore because Metal-core is really just metal, speedy guitars, intricate song structures and riffs. Riffs are very much what metalcore is made of and that is metal. Talent on all instruments and such. Metal core is metal that borrows elements of hard-core or vice versa. For instance Killswitch Engage does some screamed hard-core vocals and punk drum beats, the influence of hard-core is limited. Then again, with a band like say Hatebreed, they are a Hard-core band with elements of metal. Riffs, metal like precision with instrumentation, but thats pretty much where it ends.

The problem is that both bands would be considered metal-core, the term is way too general.

Tuesday, November 11, 2008

What is Rock 'n Roll Music??


"Rock 'N Roll" is a type of music. It "shook things up" in the 1950s and 1960s. Many musical styles from around the world contributed to this new sound. Along with the African American influence, rock 'n roll also drew on the lyrical melodies of recent European immigrants and the country and western music of Texans.
First, the music became popular in small clubs and on the radio. Later, with the introduction of programs such as American Bandstand, teenagers could watch their favorite bands on television. Not everyone was excited about this music. Many parents didn't like the suggestive dancing, naughty lyrics, and loud, fast beat.
Harder - "Rock 'N Roll" is a musical genre whose 'golden age' is usually recognized as the decades of the 1950's and 1960's. This musical form had its beginnings in the blues tunes, gospel music, and jazz-influenced vocal music that became popular among African-American audiences after World War II. A new kind of blues, it featured electrically amplified guitars, harmonicas, and drummers that emphasized afterbeats. At the same time, black gospel music grew in popularity. These forms of black popular music were given the label rhythm and blues (R and B) and were played on big-city radio stations. Radio spread this music's appeal from black communities to towns throughout all of the United States. By the mid-1950's such performers as Little Richard, Joe Turner, and Chuck Berry were becoming popular with white audiences. Radio disc jockeys began calling their music rock 'n roll.

Monday, November 10, 2008

Punk Rock Republicans


I am often asked what my favorite band of all time is, and for me it is an incredibly difficult decision - almost impossible. However, if I had to pick a band, it would probably be The Ramones. I have been a fan since around sixth grade when I first heard the song "I Want To Be Sedated" on the radio and was immediately hooked (I even had my first kiss while "Beat on the Brat" was playing in the background). The power, impact and influence of possibly the greatest band of all time and the inventors of punk rock is absolutely endless and infinitely spanning.

It is my great honor to announce that Linda Ramone, the wife of the late legend Johnny Ramone will be joining me to campaign for my father in Nevada on Monday and Tuesday. I couldn't be more excited and humbled if Elvis himself came out on the road with me. Looking forward to sharing with you what its like to campaign with a legend!

What is Screamo??

Screamo is a small tight knit grassroots musical community. It is linked directly to emo (yet another thing most of you kids know next to nothing about). Screamo emerged in the early mid 90's both in the states and in parts of europe, some early screamo bands were Anomie, Saetia, Portraits Of Past, and Orchid. Screamo proved to be a faster more abrasive counter part to it's parent genre emotive hardcore (emo). Some key active screamo bands today are: Loma Prieta, Danse Macabre, Ampere, Comadre, and La Quiete.


Now for the final key pieces of info: NO, screaming does not make you "screamo", screamo is deemed as such based on the actual music, sure the vocals come into play but it has most to do with the actual music, for example Neil Perry, Yaphet Kotto and a few others have actual written completely instrumental screamo songs.

The following bands are not screamo: underoath, silverstein, alesana, bless the fall, the used, from first to last etc. These bands are aggresive modern rock/edgy pop punk with accented screamed vocals.